Oil Paintings

Galleries & Exhibitions

Gallery Representation

Beth Ellis / Shore Rd. Gallery, Ogunquit, ME

Bowersock Gallery, Provincetown, MA

Kennedy Gallery, Portsmouth, NH

Susan Powell Fine Art, Madison, CT

Todd Bonita Gallery, Ogunquit, ME



LOOMINGS solo show at Matter & Light Fine Art, Boston

(extended through November, 2018!)


View images and read more about LOOMINGS   here. And look for a feature on the series in PORT smith, the Seacoast’s art and literature journal, on sale at bookstores and galleries.

     Westward IV, oil, tar, gold leaf on canvas


Dive (Oh, Ahab! what shall be grand in thee, it must needs be plucked from the skies and dived for in the deep, and featured in the unbodied air!), oil and tar on canvas, 48″ x 60″


Oxbow Interval, Oil on canvas, 24″ x 36,” 2018


Turning Point: New Landscapes in Oils

I will be exhibiting new landscapes and seascapes during the months of January and February at Kennedy Gallery in Portsmouth. This work seeks to update and interact with the rich tradition of American landscape painting with a “poetic,” contemporary approach to sharing the sense of awe and wonder one can feel in nature. Many of the works celebrate transitional times such as dawn and dusk or the hours just before or after a storm. They’re drawn from sketches, plein air paintings, and vivid memories of these fleeting yet powerful moments amid the marshes, sea coasts, and fields beneath the skies of northern New England.

Environmental Impact

Event Horizon, tar and oil on canvas, 48″ x 48″

Several works in tar will be included in a traveling museum exhibition called Environmental Impact. The first venue to host the show will be North Carolina Arboretum in Asheville, NC, opening May 2020. Stay tuned for more info.



EXTRACTION BOSTON: Art on the Edge of the Abyss

I am curating EXTRACTION BOSTON: Art on the Edge of the Abyss, a group exhibition seeking work by greater Boston artists addressing the implications of the unsustainable commercial over-exploitation of the planet’s natural resources. Included will be multimedia paintings, sculpture, video, audio, and site-specific installations.

Artists working in any medium are invited to submit proposals. Accepted art will expose and interrogate the negative social and environmental consequences of the suicidal, unsustainable consumption of the planet’s natural resources by extractive industry, from the damage done to people, especially indigenous and disenfranchised communities, to ravaged landscapes and poisoned water to climate change and its many troubling implications.

EXTRACTION BOSTONjoins a cross-border conversation that will take place in multiple locations throughout the U.S. and abroad during the summer and fall of 2021. EXTRACTION: Art on the Edge of the Abyss is a constellation of simultaneous and overlapping exhibits, installations, performances, site-specific works, land art, street art, and cross-media interventions investigating extractive industry in all of its forms, from mining and drilling to the reckless exploitation of water, soil, trees, marine life, and other natural resources. Due to the far-reaching scope of our ambition, the project has adopted through necessity an unconventional approach—de-centralized, non-hierarchical, and self-organizing.

Email me proposals in the form of a singlePDF, Word, or Apple Pages document containing text, images, and contact information with “EXTRACTION BOSTON” in the subject line.

EXTRACTION: Art on the Edge of the Abyss is a special project of the Codex Foundation (codexfoundation.org).

Monthly Open Studio

Lowell, MA, first Saturday of each month, noon – 4 p.m.

View past and current work on the first Saturday of every month at Western Avenue Studios in Lowell, MA. Dozens of artists participate each month. Studio #521 from noon-5. If you’re making the trip, it’s a good idea to contact me first to make sure I’ll be open.